朋友开车我和她在车后面

re a splen●did pair and used to drink t▓ogether a great deal.‘Pombal was terr●ibly affected by his death — ●really overcome, he retired to bed for a ▓fortnight.Could not speak of him with▓out te

朋友开车我和她在车后面
60%
朋友开车我和她在车后面
80%
朋友开车我和她在车后面
90%
朋友开车我和她在车后面
75%

朋友开车我和她在车后面

朋友开车我和她在车后面

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ars coming into his eyes; this used to● infuriate Pom

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bal himself.“I never kn▓ew how much I loved the blas

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ted man” he ●would say….I hear Purseward●en’s wic

  • ked chuckle in all this.No, you● are wrong about him.His favo●urite adjective was “uffish!” or so h▓e told me.‘His public lect●ures were disappointing, as you may rem▓ember.Afterwards, I discovered why.He re▓ad them out of a book.They wer●e someone else’s lectures! But once● when I took him up to the Jewish ●school and asked him to talk to the● children of the literary gro▓up, he was delightful.He began by showing them● some car

  • d tricks and then congratulated the▓ winner of the Literary Prize, ▓making him read the prize essay aloud.Then he a●sked the children to write down three things in ●their notebooks which might he●lp them some day if they didn’t forget ●them.Here they are: 1.Each of ▓our five senses contains an ar●t.2.In questions of art great secre●cy must be observed.3.The artist must catch▓ every scrap of wind.‘Then ▓he produced from his mackinto

  • ▓sh pocket a huge packet of sweets up●on which they all fell, he no less, and compl▓eted the most successful literary hour ev●er held at the school.‘He had some babyi▓sh habits, picked his nose, and ▓enjoyed taking his shoes off u●nder the table in a restaurant.I remember ▓hundreds of meetings which wer▓e made easy and fruitful by his n▓aturalness and humour but he ▓spared no-one and made enemies.● He wrote once to his beloved DHL: “Ma.tre,

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▓ Ma.tre, watch your step.No-one can go o▓n being a rebel too long without turni●ng into an autocrat.” ‘When he wished to disc●uss a bad work of art he would say in ●tones of warm approbation “?/p>

圡ost effective.” This was a ▓feint.He was not interested enough in ▓art to wan

t to argue about it with● others (“dogs snuffing over a bitch too s▓mall to mou

nt”) so he said “Most ●effective.” Once when he was drunk he added: ▓“The ef

fective in art is what rapes▓ the emotion of your audienc●e without nourishing i

ts valu●es.” ‘Do you see Do you see  癞All this was brought to bear▓ on Justi

ne like a great char●ge of swan-shot, scattering her se●nses and bringing her fo

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